Sunday, 6 November 2011

The Wandering Monarchs


Life in Newtown,  No. 1 

I lived with my small son in a little two-storey Newtown terrace house with a cheerful yellow kitchen where the low winter sun poured in through the window and across the table on frosty mornings.  I had a little yard where roses and lavender and white daisies grew, as well as an enormous pumpkin vine that fed us all the winter.
Into my garden fell a little seed, blown on the wind.  It grew into a scraggy ugly plant.  But somehow I did not have the heart to pull it out, with the other weeds.  At last, at the ends of its stems formed some little red buds. In the Spring they grew into clusters of little red and yellow flowers. Not large, not decorative. It was not a very attractive garden plant. 

Then one day, when I was hanging out the washing, I noticed a butterfly hovering over that plant. It was a black and orange Monarch, some of which flew across the Pacific from California in about 1870 and now breed prolifically in Australia.  As I watched, it flew and sat, flew and sat over my scraggy little bush.  It was laying eggs.  Now, I didn't care about that bush very much.  I had no interest in protecting it from insects and soon it was covered with twenty-five munching, crawling, black and yellow striped caterpillars.  They did not spread to the other plants.  They only ate the bush they were born on.  As they chewed and munched from leaf to leaf the plant bled white sap like milk. They stripped the leaves off one by one and made piles of green droppings.  They ate the flowers for dessert and made piles of red droppings. Then they started eating the smaller branches. The plant  looked so ugly and untidy.  But the greedy caterpillars were fat and as ravenous as wolves.
One day I went out and found only twenty-two fat caterpillars.  The others had turned into chrysalides and were hanging in a row under the bar of the fence.  The chrysalides were so beautiful!  I was afraid that a bird might eat them.  I found a little branch which I put into a blue bottle on my table, in the morning sun.  I carefully pulled away the white silk that held the chrysalides onto the fence and wound it onto the twigs of the branch.  Soon there were twenty-five chrysalides hanging from the branch. It looked like a rare tree with the most exquisite buds or decorations hanging from it! 

Each chrysalis was the colour and transparency of pale green jade and was shaped like an exotic helmet.  Around the edge of each tiny helmet was a band of purest gold decorated with raised knobs like shiny black lacquer.  They were like magic things, like birds in eggs and babies in the womb.  How did those fat waddling hungry caterpillars turn into these beautiful things, and how would the developing creature inside break out?
With joy and agony we watched these two things happen.  If you have never seen a caterpillar turn into a chrysalis, you cannot imagine the process or the struggle.  The grub must pull itself up, contract its body and burst out of its stripy, caterpillar skin.  This can take hours of pain like birth.  What at last comes forth is a helpless soft pale green wriggling thing which must go on contracting and changing its shape, pulling itself slowly together until at last it hardens into the beautiful jade helmet.
There on the twig they hung for days and weeks.  When we looked against the light we could see the dark shapes of the creatures that were growing inside.  Then one day, when I came home with the shopping, I saw that three of the chrysalides were empty dry plastic shells, no longer beautiful. And there, on the curtain, on the cupboard and on the tea canister were three Monarch butterflies.  When I opened the door they flew out into the sunlight! 

           But how did they turn into butterflies? My son and I watched the process of transformation.  Through the transparent shells we could see the green interior becoming dark and growing folded bits.  As with the splitting of the skin to bring out the chrysalis, so did each butterfly have to break from the beautiful case that sheltered it and in which it could find its new being.  Once it had emerged from its case the butterfly was once again a vulnerable thing.   It could not fly; it could only crawl slowly away from its shell.  Its wings were crumpled and its body was swollen like an ugly grub.   Bit by bit the wings unfolded as the nourishment taken from the milk weed and preserved through all those weeks in the shell was slowly pumped into them from the swollen abdomen.  At last the butterfly attained its true proportions and its full beauty.
Suddenly the transformation ceased. The change was complete. The butterfly walked strongly forward and sat, gently fanning its wings until they were completely dry. At last it flew joyfully out the door and onwards to its life of fulfilment .  

There is another part to this story. Butterflies have a very strong sense of smell. They are guided by this sense to other butterflies and to flowers full of nectar and the plants that they need for survival.
           Now, some of these butterflies crept out of the chrysalis and onto my finger.  They hung there while they made their transformation.  I did not know it, but these beautiful creatures were becoming mysteriously imprinted with my scent.  For these butterflies, I became the life-giving milk-weed bush.
All that long summer, when I walked out into my little garden at night to look up at the stars, I would suddenly find myself in the company of butterflies.  They would flutter out of the night sky and sit on my hair, my hands and my shoulders and cling to my face, fanning their wings. It was a most strange and mystic sensation, my butterflies in the starlight. 


Copyright: Tamsyn Taylor, 2002
Pictures from Wikipedia Commons. LIcenses shown at links.  Acknowledgements: Korall, 2009; Antilived, 2006;  Greyson Orlando, 2007
Captain Tucker, 2008; Louise Docker, 2008.  Louise Docker's photo has been colour adjusted. 


Friday, 21 October 2011

Italian poem No 11.


The Basilica of Saint Anthony of Padua



Pilgrimage to Padova


Do you remember Sant' Antonio's?
The domes and towers and pinnacles and sky;
two ancient nuns who, limping arm in arm,
each bore a portion of her sister's load,
pied against the orange bricks of noon,
a focus of intensity and eye? 
Gattemelata by Donatello
Do you recall the warrior on his steed,
so purposeful, yet humble, looking down
over the chasing children and the crowds
of tourists and of pilgrims and the town
that once he served and set him up on high?
And does your mind still hold
that vision of perfection-
dark and light,
the arches and the heavens and the gold,
the blazing star on blue mosaic night;
the tiny babe of bronze
with face so sweet
that sits within the Virgin Prophet's lap
as if still in the womb and raises up
his little hand to bless the majesty
of frankincense and gold,
the dripping candles and the thousand prayers
laid daily by the humble at his feet?  
Remember how we walked by the canal
as darkness fell that night,
and looking up,
we saw those minarets against the pink
and smoky blue of evening?
Swallows flew in pairs and suddenly
a bell rang out,
so clear and cold and high.
Ding-ding! Ding-ding! Ding-Ding!
Another answered lower
and another, slower, deeper still,
till one by one each bell was called to chime
until within the sweet cacophony
the last and largest spoke with solemn voice
that told of death and of disaster grim.
Dong! Dong! Dong!
Do you remember when
that dreadful man appeared
out of the darkness while I stood alone
upon the bridge? 
The moon over Sant'Antonio's
My flesh turned to stone:
I could not call for you or run away!
And suddenly you loomed against the sky
in that big jacket,
looking hugely broad and tall and fearsome!
How he shrank away
and vanished like a startled rat!
Remember then how smug you took my hand
and pulled it through your arm?
"Let's now wind up the day,
and go and find a place to eat!" you said.
We took our dinner in a small cafe.
Remember how the waiter made us laugh?
He walked like Charlie Chaplin with his tray
and scuffing feet
and dragging cuffs;
the same moustache:
it could have been his brother!
So the happy day
drew to a close
regaled by music of the concertina;
blissful sleepiness of food and wine,
of feet tired out with walking,
eyes with seeing,
mind with taking-in.
Do you remember still
the day we went to Sant' Antonio's?
I always will! 



© Tamsyn Taylor 

Saturday, 15 October 2011

Italian poem No 10.


The Millstream


I am fishing in the millstream
in the brown and frothing current;
foam a-swirling, leaves a-twirling
on the mountain's rushing torrent.
Our poor Gwen fell off the culvert
in the dark and stormy night,
soaked her clothes
bruised her knees,
spilt her handbag,
grazed her elbows,
gave us all a nasty fright!
Now I'm fishing in the millstream
for her wallet, purse and keys,
the gold compact that her husband
bought her once from overseas.
Let me see where they have fallen,
whereabouts the wallet's gone…
Has it drifted in the current
somewhere underneath a stone?
Yes! It's here!
Her cheques and passport
and her photo, quite forlorn!
Lay them in the sun and dry them!
Luckily there's nothing torn.


Now I'm wading in the millstream
on this grey and stormy day
while the sullen water eddies
round the branches in its way.
I am searching for Gwen's purse
which holds, along with all her money,
driver's license,
ring of keys,
book of stamps,
and credit cards
the loss of which is not so funny.
So I'm in the stream once more,
wallowing in drizzling rain,
trying to find her things before
the river rises once again.
A neighbour comes in waders
with a fishnet on a pole.
"I think the purse might float a bit,
then sink into that hole."
And here it is!
The missing purse,
A lump of sodden leather!
Put it by the fire to dry.
Luckily it held together! 


Here I'm paddling in the millstream 
on this bright and blowy morning. 
How the water winks and sparkles! 
Over pebbles it goes gurgling. 
I am looking for Gwen's compact, 
with the powder for her face. 
It's round 
and gold, 
engraved, 
and loved, 
and not so easy to replace. 
The sun shines down. A thing like that 
should gleam and glow and shimmer. 
But what Gwen didn't tell me was - 
it's in a black felt cover. 
My foot is resting on a stone 
that’s flat and square and slimy. 
"I saw a compact once before  
that's just like Gwen's. Oh, Blimey! 
Here it is,  
her precious gift - 
I've stood upon it all the while! 
Eureka! I have found Gwen's gold!" 
How glad I am to see her smile! 



© Tamsyn Taylor